Belkis Ayon |
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Belkis Ayon (b. Havana,
1967)
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Belkis Ayon graduated
from the Instituto Superior de Arte in Havana, where she studied engraving
and later became a professor of graphics. Her prints-typically made
using a collage-like printing technique known as collography-is consistently
bound up with an investigation of the Abukuá Secret Society,
an all-male organization of Afrocuban origin, founded in Cuba in the
1830s. Ayon explains, "I aspire above all to give my vision, my
points of view as observer, presenting in a synthesized form the aesthetic,
plastic, and poetic aspects I discovered in Abakuá, persistently
relating them to the nature of man, with vivid personalities, with feelings
which sometimes grip us, feelings we don't know how to define, with
these fugitive emotions
with the spiritual." Not only is Ayon
interested in relating the myths and rituals of the Abakuá to
larger themes and issues, she also intends to emphasize her role in
uncovering the mysteries of this closely guarded secret society. A recurring
character in her work is Sikán, a woman who discovered the secrets
of Abukuá and was sacrificed by the men of the society in order
to prevent the dissemination of the secrets. In Ayon's prints, the sacrificed
victim becomes an active participant, and one cannot help but see the
artist in the figure of Sikán. Ayon's work has been exhibited
internationally since 1988, and is included in collections worldwide.
On September 11, 1999, the artist perished at her own hands.
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